2017 applications

Scholarship committee: Copy and paste into your browser. There are 12 files corresponding to 9 applications. JM submitted his application in 2 files, GH submitted 3. https://drive.google.com/file/d/0B6yOG7JsCj4dV0pXX3N5NlJDSTQ/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dMjgzdWN0WFcxcDA/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dbDNycDR4NC1xaTQ/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dVVRmRjUzMElIck0/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dZWNUMXBPQUx6SFU/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dWDIxeFIzZkdZamc/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dUUp5cnIxSlZUOGM/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dN1NUNEJ5cFA5RlU/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dV0Y5anlSQktlUGc/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4daFcxZ3R4dDJmdG8/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dMk9NV1RBaDc2MTQ/view?usp=sharing https://drive.google.com/file/d/0B6yOG7JsCj4dbVlBMkF1SEZzNFU/view?usp=sharing

Start next week

The first meeting of summer will be next Friday, 6/27/14, as opposed to this Friday as previously advertized.

Augie's Great Municipal Band

Augie's Great Municipal Band - for bells, snare drums, tenor drums, bongos or congas, bass drum, crash cymbals, whistle, PVC pipe (unless you happen to have an alpine horn), and vocals
mp3
pdf

Notes about the pdf: The weird empty boxes above vocals should say quarter note = 126 bpm. The "x" marks on tenor drums are  left-on-right stick clicks (strike the right stick with the left stick). Use wooden sticks on one of the lower pitched tenor drums (say, 14 inch or larger). The idea with the snares, tenor, and bongos/congas is to get that "large marching/processional band" sound as seen on SW III. Crash cymbals and whistle should be played by one player. This arrangement is not an exact translation of the version heard in the movie; for one thing, nobody I know owns a cuica.

Notes about the mp3: Finale's vocals sound very electronic. Deal with it. The five stroke rolls starting in measure 13 do not sound right; they should be played strictly in time - just keep the right hand moving exactly with every 8th note. The sound cuts out on the bells in the last measure because Finale does not believe that my bells go up to C.
If you want to hear a high quality version of the original, always look for one without video; I prefer DarkKnightMatt's on Youtube.

enSambal

enSambal - a samba piece for timbales, drum set, bongos or congas, claves, maracas, train whistle, and hands. Click the link here to download the 2MB mp3.
Sheet music available here. You need this pdf to read the timbales part.

A few notes - the triangle sound at the beginning represents a train whistle and the bongos in the first two measures and the last four measures are actually hand clapping, but Finale does not have those sounds, so I had to substitute. The maracas sound is strange, too, but I can live with it

To play the timbales properly, buy "Latin-American Rhythm Instruments and How to Play Them" by Humberto Morales and Henry Adler. It is the holy scripture for said instruments and the two dozen latin music rhythms.

Cancel today

I need to cancel the meet-up today while I work with a youth orchestra summer camp in Poulsbo. You probably aren't disappointed anyway since it is raining. We'll try again next week.

meeting tomorrow

We will meet at the Silverdale Waterfront Park gazebo at 3:00 on Friday. I already know of a couple who can't make it this week. If you need to come late, something is better than nothing, right?
I have decided to just go with Crazy Army to start with. Read through it, simplifying it as needed so you can learn the heart of the piece.

Let the Beatings Begin!

You are asking yourself, "is this for me?"

Minimum: You need a basic sense of rhythm; if you have done band or piano for a couple years, that is probably sufficient.

Maximum: If you can already play Corps level music, this is not for you.  If you can play all the fundamentals - place diddles and flams at any point within a phrase, paradiddles and other double and triple sticking, shift between sextuplets and 16ths, drags, ratamacues, etc. this is not for you.
Equipment: Bring a concert snare with snare stand, drum pad, sticks, and music stand (with built in pins or bring clothes pins). In addition, every musician should own and regularly use a metronome at home. You do play at home, don't you? If you do not already have a drum, pad, or sticks, please let me know and I can bring extras.

How to handle the diversity in playing level:
I am writing music with multiple parts, just like wind instruments get. The hardest parts will include flourishes (like flams, drags, alternate sticking patterns, stick flashes). The 2nd part will be a simplified version of the 1st, and so forth down to the easiest part which will compliment the accents and flow of the music. As you master each part, step up to the next level. Just make sure that you know where the beat is! I plan to post the parts here on this blog.

The top picture above is of the Show Drum Line called Top Secret from Basel, Switzerland. I borrowed the picture from http://www.drummerworld.com. Check out some of TS's videos, like Edinburgh 2006 and Next level 2012. The picture of the waterfront is from WestSoundLive.com, a local realty company.

I plan on meeting at the gazebo to start with. If you need a ride, give us a call; we will have room for three more.

Depending on how things go and if we can get ahold of enough instruments, we might do some latin rhythms later.

Keep it frosty!

Try this. Throw in some back sticking and similar cool flashes and turn some of those triplets into swiss triplets - you have a decent 1st part here. The piece as written could be 2nd part. 3rd part - simplify it by taking out the flams. 4th part - drop the five strokes, probably making them 16ths, and drop the paradiddles. 5th part - just 8ths and 16ths. Accents remain the same for all parts.

Crazy Army is a rudimental solo written in 1934. Actually, I think 7 strokes make more sense for this piece and that may have been how it was originally written. The solo has plenty of off beat accents which gives it more groove, less of a pounding march feel. It is for soldiers with soul.

You can do a Google image search for a more printer-friendly version.